The album was recordered at Floating Notes Studio in San Bernardino (Switzerland), 1700 meters altitude, in an old barn converted into a house.
The harps used are classical harp Daphne 47, a Salvi Delta electric harp in carbon and a Salvi Delta electric harp in wood.
All the sounds of drones, strings, sighs and drums are the result of a sound research of these harps.
Includes digital pre-order of THE HARP, Chapter I. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
Includes unlimited streaming of THE HARP, Chapter I
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 5 days
Purchasable with gift card
€30EURor more
Compact Disc (CD) + Digital Album
The album was recordered at Floating Notes Studio in San Bernardino (Switzerland), 1700 meters altitude, in an old barn converted into a house.
The harps used are classical harp Daphne 47, a Salvi Delta electric harp in carbon and a Salvi Delta electric harp in wood.
All the sounds of drones, strings, sighs and drums are the result of a sound research of these harps.
Includes digital pre-order of THE HARP, Chapter I. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
Includes unlimited streaming of THE HARP, Chapter I via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Includes unlimited streaming of THE HARP, Chapter I
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 5 days
Purchasable with gift card
€20EURor more
T-Shirt/Shirt + Digital Album
The album was recordered at Floating Notes Studio in San Bernardino (Switzerland), 1700 meters altitude, in an old barn converted into a house.
The harps used are classical harp Daphne 47, a Salvi Delta electric harp in carbon and a Salvi Delta electric harp in wood.
All the sounds of drones, strings, sighs and drums are the result of a sound research of these harps.
Includes digital pre-order of THE HARP, Chapter I. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
Includes unlimited streaming of THE HARP, Chapter I
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 5 days
Purchasable with gift card
€15EURor more
about
STARLESS is the single from Kety Fusco's album The Harp, Chapter I, due for release on 3 March 2023.
"This is what is left of my body. My harp has destroyed every melodic form of its sound because it died with me. My world is running out and pouring out its rage on me. I will be dead and I will burn in the fire of my home. I am already ashes, ashes of a world that has thought of the most concrete and superficial things, and what remains is a world without stars'.
lyrics
STARLESS is the single from Kety Fusco's album The Harp, Chapter I, due for release on 3 March 2023. The composition of this piece was created with all the classical harp sounds recorded and catalogued by Kety Fusco in her sound library Beyond The Harp, Extreme, Extended, Experimental. The sounds were subsequently manipulated and assembled into this contemporary, gory-sounding composition. Kety Fusco and the harp met at the age of six and have not left each other since. After years of studying and perfecting with the classical harp, Kety embarked on an exploration of non-traditional harp sounds, made with objects such as hairpins, scotch tape, wax, stones, clothes pegs, and so she says: "The harp was born in the 7th century, when the air was different, tastes and experiences had nothing to do with today's world, and to this day I cannot think that there is no evolution: that is why I am designing a new harp instrument, it will still be the same, but contemporary and everyone will have the opportunity to approach it; in the meantime, welcome to THE HARP"
Kety Fusco Fusco destabilises the usual perception of the harp, moving away from the arpeggios and sound carpets that the instrument can easily call to mind, thus entering a universe that no listener would ever think belongs to a harp.
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